Erica Schmidt, Director
Erica Schmidt’s directing credits include: Chekhov’s
Uncle Vanya, Gilbert and Sullivan’s
The Sorcerer; and Copland’s
The Tender Land (all at Bard SummerScape); Jonas Hassen Khemiri’s Obie Award–winning
Invasion! (The Play Company);
Honey Brown Eyes (The Working Theater); and
The Burnt Part Boys (The Vineyard and New York Stage and Film).
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She was the cocreator and writer (with performer Lorenzo Pisoni) of Humor Abuse, performed at Manhattan Theatre Club—where it won Lucille Lortel, Outer Critics, Drama Desk, and Obie awards—and Philadelphia Theatre Company, ACT, and Seattle Rep. She also directed Rent (Tokyo); Carnival (The Paper Mill Playhouse); People Be Heard (Playwrights Horizons); Trust (The Play Company, Callaway Award nominee); As You Like It (The Public Theater/NYSF, chashama, and New York International Fringe Festival 2000, where it won the award for Best Direction); Debbie Does Dallas (wrote the adaptation and directed Off-Broadway at Jane Street Theatre); Spanish Girl (Second Stage Uptown); and R&J and Buried Child (The Juilliard School; Princess Grace Award recipient 2001).
Laura Jellinek, Set Designer
Laura Jellinek is a theater and opera designer based in New York. Her recent theater projects include
Honey Brown Eyes (Erica Schmidt, The Working Theater);
Romeo and Juliet (Joanna Settle, Shakespeare on the Sound);
Buddy Cop 2 (The Debate Society);
A (Radically Condensed and Expanded) Supposedly Fun Thing I’ll Never Do Again (Daniel Fish, The Chocolate Factory); and
Samuel and Alasdair: A Personal History of the Robot War (Lila Neugebauer, Mad Ones).
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Recent opera and dance work includes Messiah (Sam Helfrich, Pittsburgh Symphony Orchestra); Romeo et Juiliette (Kevin Newbury, Palm Beach Opera); I Capuleti e i Montecchi (Emma Griffin, Curtis); The Cunning Little Vixen (Emma Griffin, Curtis Opera Theatre of Philadelphia); Les Mamelles de Tiresias (Emma Griffin, Juilliard); and Ghosts (Christopher Wheeldon, San Francisco Ballet). Upcoming projects are at the Atlantic, Juilliard, and Opera Company of Philadelphia. She holds a B.A. in mathematics from Brown University and an M.F.A. in set design from New York University.
Andrea Lauer, Costume Designer
Andrea Lauer costume designing credits include
American Idiot (Broadway and on tour);
A Midsummer Night’s Dream and
Unnatural Acts (Classic Stage);
RX (Primary Stages);
’Or (Women’s Project);
The Butcher of Baraboo (Second Stage Uptown);
Kiss the Air (Park Avenue Armory);
Elephant Dreams (Joyce); and such regional productions as
TRU (Baystreet Theatre, Sag Harbor) and
The Crucible, After the Fall, and
Steel Magnolias (Alley Theatre, Houston).
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She also designs for dance (Trey McIntyre Project, STREB), and her designs are part of the London 2012 Cultural Olympiad. As a fashion stylist, her credits include American Vogue and OUT magazine, and the 52nd annual Grammy Awards. She has an M.F.A. from New York University (Baryshnikov Fellow) and a 2011 NYSCA grant as a STREB innovative collaborator.
David Weiner, Lighting Designer
David Weiner’s Bard SummerScape credits include
Uncle Vanya,
The Sorcerer, and
The Tender Land. His Broadway credits include
Godspell (revival),
The Normal Heart, Reasons To Be Pretty, Butley, Dinner at Eight,
Betrayal, and
The Real Thing. Among the Off Broadway theaters he has designed lighting for are MTC, Second Stage, Playwrights Horizons, MCC, The Public, New York Theater Workshop, and Theater for a New Audience.
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Opera credits include Die Vogel, Der Zerbrochene Krug, and Der Zwerg, all for LA Opera, and he’s done regional work for Center Theatre Group, Guthrie, La Jolla Playhouse, Kansas City Rep, and Berkeley Rep, maong many others. He is the recipient of a 2012 Lucille Lortel Award (Through a Glass Darkly), 2011 LA Ovation Award (Venice), 2011 Drama Desk nomination (Small Fire), and 2005 Lucille Lortel Award (Rodney’s Wife). He will work on the forthcoming stage version of The Nutty Professor, based on the original 1963 Jerry Lewis film.
Danny Binstock (Cléante)
Danny Binstock’s recent appearances include
POP! (Yale Repertory Theatre),
The Shadow Sparrow (Eugene O’Neill Theatre Center),
Nijinsky’s Last Dance (Yale Cabaret), and
muse (Yale Summer Cabaret). He has also been seen at Shakespeare Theatre Company, Signature Theatre, American Musical Theatre Project, New York Musical Theatre Festival, and North Shore Music Theatre.
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He holds a B.F.A. in musical theater from the University of Michigan and an M.F.A. from the Yale School of Drama.
Zachary Booth (Béline)
Zachary Booth’s Off-Broadway credits include
Me, Myself & I and
Prayer for My Enemy (Playwrights Horizons);
Victoria Martin: Math Team Queen (Women’s Project); and
Spine and
Pentecost (Barrow Group Theatre). Among the many films he’s appeared in are
Big Words,
Keep the Lights On,
Recalled,
Syrup,
Dark Horse,
Blue Eyes,
The Beaver,
White Irish Drinkers,
Nick and Norah’s Infinite Playlist,
Taking Woodstock, and
The Mark Pease Experience.
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On television, he’s been seen in Damages, The 22, Royal Pains, Law & Order: SVU, New Amsterdam, and What Goes On. He received a B.F.A. in theater and drama from the University of Michigan. Booth is a member of the Actors Center Workshop Company, the Barrow Group theater community, and the Peterborough Players community.
Kevin Cahoon (Monsieur de Bonnefoi and Monsieur Snifois)
On Broadway, Kevin Cahoon has been seen in
The Wedding Singer, Chitty Chitty Bang Bang, The Rocky Horror Show, The Lion King, and The Who's Tommy. Off Broadway, he’s appeared in How I Learned To Drive (Second Stage), The Shaggs: Philosophy of The World (Playwrights Horizons), The Foreigner (Roundabout; Lortel Nomination), and Hedwig and The Angry Inch (also in Boston, San Francisco, and the Edinburgh Festival). VIEW MORE/LESS
He’s performed regionally in Williamstown and at the Berkshire Theatre Festival and The Guthrie, among others. Cahoon has been seen on television in NCIS, Franklin and Bash, Six Degrees, Law and Order: Criminal Intent, Canterbury's Law, and Hope and Faith, and in films including Mars Needs Moms, The Thing About My Folks, The Curse of the Jade Scorpion, and Sudden Manhattan. His album Doll won an Outmusic Award.
Peter Dinklage (Toinette)
Peter Dinklage last appeared at Bard SummerScape in Erica Schmidt’s 2008 production of
Uncle Vanya. Other theater credits include
Knickerbocker (Williamstown Theatre Festival) and
Things We Want (New Group), both by Jonathan Marc Sherman, and
Richard III (Public Theatre).
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Among his many film and television credits are Living in Oblivion, The Station Agent, Death at a Funeral, Pete Smalls Is Dead, and HBO’s Game of Thrones, for which he has won both an Emmy and a Golden Globe Award.
Mark Junek (Béralde)
Mark Junek’s Off-Broadway credits include
Galileo and
A Midsummer Night's Dream, both with Classic Stage Company; other credits include
The Seagull, Henry V, Hedda Gabler, and
The Merchant of Venice (Juilliard);
The Art of Coarse Acting and
Twelfth Night (Chautauqua Institute); and
Varsity Show (Columbia University).
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He’s appeared on television in Smash and Law and Order SVU. He is a proud founder and creator of Makehouse, an organization that gives struggling artists space and time to create in a rural setting. In May 2011, he graduated from the Juilliard Drama Division, group 40. He earned a B.A. at Columbia University.
Preston Sadleir (Angélique)
Preston Sadleir recently appeared in the Pulitzer Prize–winning musical
Next to Normal, and in last season’s Off-Broadway production of Edward Albee's Me, Myself, & I. Past projects in New York include Carrie: The Musical, Mrs. Sharp (alongside Jane Krakowski), and Lysistrata Jones. On television he’s been seen in The Big C.
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He writes: “Special thanks to Adam Caldwell and Cindy Tolan, Cy, and my manager, Russell Gregory. I shall lovingly dedicate these 10 performances to Jenny for giving me a reservoir of femininity to draw from.”
Ethan Phillips (Argan)
Ethan Phillips’s New York stage credits include David Mamet’s
November (Barrymore);
My Favorite Year (Lincoln Center);
Measure for Measure (NYSF);
Lips Together Teeth Apart (Manhattan Theatre Club);
Modiglianni (Astor Place); and roles for EST, Hudson Guild, Playwrights Horizons, and others.
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Regionally, he’s played major roles at Pasadena Playhouse, Mark Taper Forum, The Geffen, Old Globe Theatre, and Seattle Rep, among many others. His own play, Penguin Blues, has had hundreds of productions. Film credits include the upcoming Inside Llewyn Davis (directed by the Coen brothers), and The Island, Bad Santa, The Shadow, Man Without A Face, and Glory. He appeared in the television series Star Trek Voyager, and guest starred on scores of television shows. He plays tenor sax with The Allan Wasserman Jazz band.
Henry Vick (Thomas Diarrhéa)
Henry Vick comes from West Virginia via Kansas City, Missouri. He writes: “As a kid I got in trouble for being loud and talking too much; now I get paid for it.” Recent productions include
Balm in Gilead (Magic Future Box),
The Tremendous Tremendous (Brick Theatre),
Twelfth Night (Sonnet Rep),
When the Rain Stops Falling (Lincoln Center), and
Three Musketeers (Acting Company).
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He likes baseball, rock and roll, science, and history. He lives in New York City and is a graduate of the University of North Carolina School of the Arts.
Damian Young (Monsieur Diarrhéa and Monsieur Purgé)
Last summer
Damian Young played Harpagon in Molière’s The Miser, adapted and directed by Welker White. The play was performed outdoors with Piper Theatre in Park Slope. Also last summer, he appeared in the Berkshire Theater Festival production of In The Mood. His most recent Broadway was in All My Sons, directed by Simon McBurney. VIEW MORE/LESS
He’s been seen on television in Pan Am, Person of Interest, White Collar, Californication, The Comeback, and The Adventures of Pete and Pete, and he’ll appear in the upcoming film Great Hope Springs and in HBO’s Muhammed Ali's Greatest Fight.