Classical Studies Program
Dramatic Reading of Sophocles’ Philoctetes
March 22, 2008
Classical Studies Program
March 22, 2008
2:00 p.m. Dramatic Reading: Sophocles’ tragedy Philoctetes, translated and directed by Bryan Doerries
3:30 p.m. Panel Discussion with Norman Austin, professor emeritus of classics, University of Arizona, and author of Meaning and Being in Myth and Archery at the Dark of the Moon: Poetic Problems in Homer’s Odyssey; Daniel Mendelsohn, Charles Ranlett Flint Professor of Humanities at Bard, author of Gender and the City in Euripides’ Political Plays and The Lost: A Search for Six of Six Million; Alice Quinn, executive director of the Poetry Society of America and former poetry editor at the New Yorker; and MacArthur Fellow Jonathan Shay, author of Odysseus in America: Combat Trauma and the Trials of Homecoming and Achilles in Vietnam: Combat Trauma and the Undoing of Character.
The first in a new series of annual events sponsored by James H. Ottaway Jr., the program is free and open to the public.
Sophocles’ Philoctetes, deals with themes of isolation and estrangement, received first prize when it was first performed at the Festival of Dionysus in 409 BCE. The story, takes place during the Trojan War; it focuses on the injured Philoctetes, possessor of the bow of Heracles that was foretold as necessary to win the war against Troy, and the deceptive attempts by Odysseus and Neoptolemus to bring him and the bow with them to Troy. “The title character’s sense of abandonment and search for meaning in his suffering still speaks to us today, perhaps with greater force and urgency than ever before,” according to the Philoctetes Center for the Multidisciplinary Study of the Imagination. “Through modern medicine and warfare, we are creating a vast subclass of chronically ill patients, like Philoctetes, whom we isolate on deserted islands to live long and suffer alone.”
Featured in the reading of Philoctetes are Jesse Eisenberg, who has appeared in the films The Squid and The Whale, Roger Dodger, The Hunting Party, and The Education of Charlie Banks, as well as in Orphans, opposite Al Pacino and Shawn Hatosy, on Broadway; Adam Ludwig, an actor and a member of the Philoctetes Center staff, who has performed at regional theaters throughout the country, including Berkeley Rep, Old Globe, Pittsburgh Public, and A.C.T; and John Schmerling, who has appeared in King Lear, Pericles, Anouilh’s Antigone, The Tempest, Hamlet, and The Brothers Karamazov in off- and off-off-Broadway productions, created the role of Maurice in the original production of Tennessee Williams’s Something Cloudy, Something Clear, and appeared in the reading of Oscar Wilde’s Salome with Al Pacino, Marisa Tomei, and David Strathairn; and Michael Stuhlberg, who has appeared in David Mamet’s new adaptation of The Voysey Inheritance at the Atlantic Theater Company, and on Broadway in The Pillowman, The Invention of Love, Cabaret, Taking Sides, Saint Joan, Timon of Athens.