The Orchestra Now
Mahler’s Third Symphony
Photo by Matt Dine
September 20–21
The Orchestra Now
Photo by Matt Dine
September 20–21
Leon Botstein conductor
Stephanie Blythe mezzo-soprano
Bard Conservatory Preparatory Chorus
Bard College Chamber Singers
Members of Bard Conservatory’s Graduate Vocal Arts Program
James Bagwell choral director
Mahler
Symphony No. 3
For the fourth year in a row, TŌN opens the season with a Mahler symphony. The Third is the composer’s longest work, a deeply personal and all-encompassing masterpiece that stands as a towering monument to nature and humankind’s place within it. Mahler described the symphony as having a “steady intensification of feeling, from the indistinct, unyielding, elemental existences (of the forces of nature), to the tender formation of the human heart, which in turn points toward and reaches a region beyond itself (God).” Mezzo-soprano Stephanie Blythe—a Musical America Vocalist of the Year, Opera News, and Richard Tucker Award-winner—joins the orchestra for two of the symphony’s six movements, singing text by Nietzsche telling of joy transcending death and worldly suffering, and then a German folk poem about heavenly joy rewarding the faithful.
Raise a glass!
Please join us on the portico in front of the Fisher Center on Saturday at 6 PM to toast the start of TŌN’s 11th season!
Free for all ticket holders.
Leon Botstein is founder and music director of The Orchestra Now (TŌN), music director and principal conductor of the American Symphony Orchestra (ASO), artistic codirector of Bard SummerScape and the Bard Music Festival, and conductor laureate and principal guest conductor of the Jerusalem Symphony Orchestra (JSO), where he served as music director from 2003 to 2011. He has been guest conductor with the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Aspen Music Festival, Buffalo Philharmonic Orchestra, Mariinsky Theatre, Russian National Orchestra in Moscow, Hessisches Staatstheater Wiesbaden, Taipei Symphony, Simón Bolivar Symphony Orchestra, and Sinfónica Juvenil de Caracas in Venezuela, among others. In May 2025, he led two concerts with TŌN in Koblenz and Nuremberg, Germany, marking 80 years since the surrender of Nazi Germany. With ASO, he has revived numerous neglected operas and rare repertoire, such as Schoenberg’s massive Gurre-Lieder, Richard Strauss’s first opera, Guntram, and the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.
Albums include The Lost Generation and Exodus, two 2024 releases with TŌN; Hindemith’s The Long Christmas Dinner with the ASO; a Grammy-nominated recording of Popov’s First Symphony with the London Symphony Orchestra; and other recordings with TŌN, ASO, the London Philharmonic, NDR Orchestra Hamburg, and JSO, among others. Fall 2025 releases include Premieres with violinist Gil Shaham and Transcription as Translation, both with TŌN. He is editor of The Musical Quarterly and author of numerous articles and books, including The Compleat Brahms (Norton), Jefferson’s Children (Doubleday), Judentum und Modernität (Böhlau), and Von Beethoven zu Berg (Zsolnay). Honors include Harvard University’s prestigious Centennial Award; the American Academy of Arts and Letters award; and Cross of Honor, First Class, from the government of Austria, for his contributions to music. Other distinctions include the Bruckner Society’s Julio Kilenyi Medal of Honor for his interpretations of that composer’s music, the Leonard Bernstein Award for the Elevation of Music in Society, and Carnegie Foundation’s Academic Leadership Award. In 2011, he was inducted into the American Philosophical Society.
Nearby villages and towns in the Hudson Valley boast a large selection of restaurants, as well as a variety of hotels, motels, inns, and bed & breakfasts.
Eat & StayBard College’s main campus is located in Annandale-on-Hudson (a hamlet of Red Hook), New York, on the east bank of the Hudson River, about 90 miles north of New York City and 220 miles southwest of Boston. The Taconic State Parkway and the New York State Thruway provide the most direct routes to our campus. Click the Google map below, or get directions by entering the following address into your GPS: 60 Manor Avenue, Red Hook, NY 12571.
From the East
If you are traveling from east of the Hudson River in New York State, take the Taconic State Parkway to the Red Hook / Route 199 exit, drive west on Route 199 through the village of Red Hook to Route 9G, turn right onto Route 9G, drive north 1.9 miles, turn left onto Annandale Road, then turn right onto Manor Ave.
From the West
If you are traveling from west of the Hudson River, take the New York State Thruway (I-87) to exit 19 (Kingston), take Route 209 (changes to Route 199 at the Hudson River) over the Kingston-Rhinecliff Bridge to Route 9G, turn left onto Route 9G, drive north 3.5 miles, turn left onto Annandale Road, then turn right onto Manor Ave.
Sosnoff Theater
Accessible Seating
Wheelchair-accessible seating is available in all seating areas for patrons in wheelchairs and their companions. There is an elevator to all levels of the Sosnoff Theater and a wheelchair lift is used to access front-row wheelchair seating.
Wheelchair-Accessible Restrooms
Restrooms at all locations are wheelchair accessible. Single-use restrooms are available at most locations.
All-Gender Restrooms
Bard College and the Fisher Center support guests of any gender identity/expression in using the restroom of their choice. Additionally, all-gender restrooms are available at all venues.
Find answers to some of the most common questions patrons have regarding our venues and performances. If you have a question not answered in our FAQs, please call 845-758-7900 or email [email protected] during regular Box Office hours.
Our “Know Before You Go” guide answers all of your pre-show accessibility and navigation questions for your next performance at the Fisher Center!
