Bard Music Festival
Program One • Staging the Musical Imagination
August 9
Bard Music Festival
August 9
Program One launches the festival with the rare opportunity to hear Berlioz’s most famous work as he intended: paired with its little-known sequel. Written just three years after Beethoven’s death, the Symphonie fantastique revolutionized the symphonic form for the Romantic age. Through its detailed, semi-autobiographical program note; its unifying and mutating principal theme, or idée fixe; and vast forces that include instruments previously confined to the opera house, Berlioz took the genre to a newly theatrical realm to chronicle the unrequited love that drove him to visions of suicide, murder, and gothic horror.
Pathbreaking, of seminal importance, and enduringly popular, the symphony nonetheless finds its “conclusion and complement” in Lélio, ou Le retour à la vie, its seldom-programmed sequel. Featuring spoken monologues, vocal soloists, mixed chorus, and a conclusion inspired by The Tempest, this boldly experimental, genre-defying work revisits the story and idée fixe of Berlioz’s symphony, recounting the artist’s “return to life” through his love of literature and music.
7 pm • Performance with commentary by Leon Botstein; with the Bard Festival Chorale, James Bagwell, choral director; and The Orchestra Now, conducted by Leon Botstein, music director; narration translated by Wyatt Mason
Hector Berlioz (1803–69)
Symphonie fantastique: Episode de la vie d’un artiste, Op. 14 (1830)
Reveries and Passions
A Ball
Scene in the Country
March to the Scaffold
Dream of a Witches’ Sabbath
INTERMISSION
Hector Berlioz
Lélio, ou Le retour à la vie, monodrame lyrique, Op. 14b (1831–32, rev. 1855)
Monologue: My God, I’m still alive!
The Fisherman—Ballad (Goethe)
Monologue: This memory refuses to die
Chorus of Shades
Monologue: Shakespeare!
Brigands’ Song
Monologue: How my mind wanders
Song of Happiness
Monologue: Why can’t I find the Juliet or Ophelia my heart calls?
The Aeolian Harp—Memories
Monologue: Why let myself live in these dangerous dreams?
Fantasy on Shakespeare’s The Tempest
Monologue: That will do
Joshua Blue, tenor
Alfred Walker, bass-baritone
Kayo Iwama, piano
Babe Howard, narrator
Music Director, The Orchestra Now
Choral Director, Bard Festival Chorale
Tenor
Baritone
Piano
Narrator
TŌN flautist Olivia Chaikin performs an excerpt from Movement I of Symphonie fantastique.
TŌN clarinetist Zachary Gassenheimer performs an excerpt from Movement III of Symphonie fantastique.
TŌN oboists Quinton Bodnár-Smith and David Zoschnick perform an excerpt from Movement III of Symphonie fantastique.
Nearby villages and towns in the Hudson Valley boast a large selection of restaurants, as well as a variety of hotels, motels, inns, and bed & breakfasts.
Eat & StayBard College’s main campus is located in Annandale-on-Hudson (a hamlet of Red Hook), New York, on the east bank of the Hudson River, about 90 miles north of New York City and 220 miles southwest of Boston. The Taconic State Parkway and the New York State Thruway provide the most direct routes to our campus. Click the Google map below, or get directions by entering the following address into your GPS: 60 Manor Avenue, Red Hook, NY 12571.
From the East
If you are traveling from east of the Hudson River in New York State, take the Taconic State Parkway to the Red Hook / Route 199 exit, drive west on Route 199 through the village of Red Hook to Route 9G, turn right onto Route 9G, drive north 1.9 miles, turn left onto Annandale Road, then turn right onto Manor Ave.
From the West
If you are traveling from west of the Hudson River, take the New York State Thruway (I-87) to exit 19 (Kingston), take Route 209 (changes to Route 199 at the Hudson River) over the Kingston-Rhinecliff Bridge to Route 9G, turn left onto Route 9G, drive north 3.5 miles, turn left onto Annandale Road, then turn right onto Manor Ave.
Sosnoff Theater
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