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Bard Music Festival

Program Five • Rivalries and Conspiracies

August 9

Add to Calendar2026-08-09 3:00 pm2026-08-09 3:00 pmEDTProgram Five • Rivalries and ConspiraciesFisher Center, Sosnoff Theater,

The Habsburg Emperor Joseph II pitted Mozart against his Italian peers in two historic contests, both brought back to life in Program Five, “Rivalries and Conspiracies.” On the first such occasion, the emperor invited Mozart and pianist-composer Muzio Clementi, then newly arrived from Italy, to compete at the piano. Clementi played his own virtuosic B-flat-major Sonata, and Mozart responded by improvising a set of variations on a theme from André Grétry’s Les mariages samnites. Both pianists were then challenged to sightread music by Giovanni Paisiello, another Italian rival, after which — despite privately collecting on a bet in Mozart’s favor — Joseph II officially declared the duel a draw. Five years later, he commissioned Mozart and the Imperial Court Composer Antonio Salieri to write one-act operas on the same subject for a contest at Vienna’s vast Schönbrunn Palace, where Salieri’s Prima la musica, poi le parole (“First the Music, then the Words”) and Mozart’s Der Schauspieldirektor (“The Impresario”) premiered back-to-back before a court audience, tasked to choose between them. Keen to promote a German-language Singspiel tradition, Joseph II hoped that Mozart’s offering would prevail, but it was Salieri’s fashionable Italian opera buffa that won the day.

Program

2 pm Preconcert Talk: Dorian Bandy
3 pm • Bard Festival Ensemble, conducted by Dorian Bandy, harpsichord (plus livestream)

Wolfgang Amadé Mozart (1756–91)

From Der Schauspieldirektor, K486 (1786)
Overture

Antonio Salieri (1750–1825), Wolfgang Amadé Mozart, and Cornetti

Per la ricuperata salute di Ofelia, K477a (1785) (Da Ponte)
Katrina Galka, soprano
Dorian Bandy, harpsichord

Muzio Clementi (1752–1832)

Piano Sonata in B-flat Major, Op. 24, No. 2 (ca. 1780)
Allegro con brio
Andante
Rondo: Allegro assai
Danny Driver, piano

Wolfgang Amadé Mozart

Eight Variations in F Major on Grétry’s “Dieu d’amour,” K352 (1786)
Piers Lane, piano

INTERMISSION

Antonio Salieri and Wolfgang Amadé Mozart

From Prima la musica e poi le parole (1786) (Casti)
Der Schauspieldirektor, K486 (1786) (Stephanie)
Sinfonia (Salieri)
Da schlägt die Abschiedsstunde (Mozart)
Pensieri funesti (Salieri)
Non dubitar, verrò (Salieri)
Là tu vedrai chi sono (Salieri)
Cari oggetti del mio core (Salieri)
Se questo mio pianto (Salieri)
Per pietà, padrona mia (Salieri)
Via, largo, ragazzi (Salieri)
Cucuzze! che concorso! (Salieri)
Bester Jüngling! Mit Entzücken (Mozart)
Ich bin die erste Sängerin (Mozart)
From Finale: Se questo mio pianto—Per pietà, padrona mia (Salieri)
Schlussgesang: Jeder Künstler strebt nach Ehre (Mozart)

Mademoiselle Silberklang/Tonina • Jennifer Zetlan, soprano
Madame Herz/Eleonora • Katrina Galka, soprano
Monsieur Vogelsang/Herr Frank • Aaron Blake, tenor
Buff/Poet • Theo Hoffman, baritone
Maestro • Devon Russo, bass-baritone

Concept and English dialogue by Dorian Bandy

Artwork: Antonio Salieri painted by Joseph Willibrord Mähler; Wikimedia Commons

Artists

Katrina Galka

Katrina Galka

Soprano

Jennifer Zetlan

Jennifer Zetlan

Soprano

Aaron Blake

Aaron Blake

Tenor

Theo Hoffman

Theo Hoffman

Baritone

Devon Russo

Devon Russo

Bass-Baritone

Danny Driver

Danny Driver

Piano

Piers Lane

Piers Lane

Piano

Dorian Bandy

Dorian Bandy

Harpsichord and Conductor, Bard Festival Ensemble

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