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Bard Music Festival

Program Seven • Beauty, Charity, and Reason

August 14

Add to Calendar2026-08-14 7:00 pm2026-08-14 7:00 pmEDTProgram Seven • Beauty, Charity, and ReasonFisher Center, Sosnoff Theater,

Mozart was similarly close to Haydn’s less well-remembered younger brother Michael Haydn, then a successful composer whose Requiem, partly inspired by the death of his infant daughter, would influence Mozart’s own. After opening with Mozart’s somber Masonic Funeral Music in C minor, Program Seven, “Beauty, Charity, and Reason,” complements Michael Haydn’s Mass with two of Mozart’s own religious choral works, both of which draw on his devotion to Freemasonry. Scored for male voices and orchestra, the cantata Laut verkünde unsre Freude was written for the dedication of a Masonic temple and represents Mozart’s last completed work. The program concludes with an all-too-rare live account of his Davide penitente, a cantata combining a specially created cadenza and two new arias with original text settings of his personally selected highlights from the unfinished Great Mass in C minor.

Program

6 pm • Preconcert Talk
7 pm • Performance (plus livestream): Tyler Duncan, baritone; Joshua Blue, tenor; Katrina Galka, soprano; Jennifer Zetlan, soprano; Lisa Marie Rogali, mezzo-soprano; Bard Festival Chorale; The Orchestra Now, conducted by James Bagwell

Wolfgang Amadé Mozart  (1756–91)
Masonic Funeral Music in C minor, K477 (1785)
Laut verkünde unsre Freude, cantata, K623 (1791)
Davide penitente, K469 (1785)

Michael Haydn (1737–1806)
Requiem in C minor, MH155 (1771)

Artwork: Initiation ceremony in Viennese Masonic Lodge, during the reign of Joseph II (1789); painting by Ignaz Unterberger (1748-1797); Wikimedia Commons

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