The Orchestra Now

Creative Resistance to Empire

October 11–12

Add to Calendar2025-10-11 7:00 pm2025-10-11 9:30 pmEDTCreative Resistance to Empire

Photo by Patrick Arias

Fisher Center, Sosnoff Theater,
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Leon Botstein conductor

Rimsky-Korsakov
Overture on Russian Themes

Mikalojus Konstantinas Čiurlionis
In the Forest

Vítězslava Kaprálová
Military Sinfonietta

Tchaikovsky
Festival Coronation March

Borys Liatoshynsky
Symphony No. 3

This program spotlights Eastern European works from the late-19th and early-20th centuries that confront cultural struggles resulting from the oppressiveness of the Russian Empire. More familiar pieces like Rimsky-Korsakov’s charming Overture on Russian Themes and Tchaikovsky’s grand Festival Coronation March, written to celebrate the coronation of Alexander III, are performed alongside lesser-known works. The symphonic poem In the Forest, by Lithuanian composer and painter M.K. Čiurlionis, won a competition in Warsaw and was among the composer’s earliest musical successes. The formidable Military Sinfonietta of Vítězslava Kaprálová was composed upon her graduation from the Prague Conservatory, and brought her international exposure as the work received the prestigious Smetana Foundation award. Borys Liatoshynsky’s Third Symphony was premiered in his native Ukraine in 1951, but was then revised after being banned by Soviet authorities. TŌN performs the original version in this concert. Hear this program at the Fisher Center just days before TŌN performs it at Carnegie Hall.

Leon Botstein

Photo by Matt Dine

Leon Botstein is founder and music director of The Orchestra Now (TŌN), music director and principal conductor of the American Symphony Orchestra (ASO), artistic codirector of Bard SummerScape and the Bard Music Festival, and conductor laureate and principal guest conductor of the Jerusalem Symphony Orchestra (JSO), where he served as music director from 2003 to 2011. He has been guest conductor with the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Aspen Music Festival, Buffalo Philharmonic Orchestra, Mariinsky Theatre, Russian National Orchestra in Moscow, Hessisches Staatstheater Wiesbaden, Taipei Symphony, Simón Bolivar Symphony Orchestra, and Sinfónica Juvenil de Caracas in Venezuela, among others. In May 2025, he led two concerts with TŌN in Koblenz and Nuremberg, Germany, marking 80 years since the surrender of Nazi Germany. With ASO, he has revived numerous neglected operas and rare repertoire, such as Schoenberg’s massive Gurre-Lieder, Richard Strauss’s first opera, Guntram, and the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

Albums include The Lost Generation and Exodus, two 2024 releases with TŌN; Hindemith’s The Long Christmas Dinner with the ASO; a Grammy-nominated recording of Popov’s First Symphony with the London Symphony Orchestra; and other recordings with TŌN, ASO, the London Philharmonic, NDR Orchestra Hamburg, and JSO, among others. Fall 2025 releases include Premieres with violinist Gil Shaham and Transcription as Translation, both with TŌN. He is editor of The Musical Quarterly and author of numerous articles and books, including The Compleat Brahms (Norton), Jefferson’s Children (Doubleday), Judentum und Modernität (Böhlau), and Von Beethoven zu Berg (Zsolnay). Honors include Harvard University’s prestigious Centennial Award; the American Academy of Arts and Letters award; and Cross of Honor, First Class, from the government of Austria, for his contributions to music. Other distinctions include the Bruckner Society’s Julio Kilenyi Medal of Honor for his interpretations of that composer’s music, the Leonard Bernstein Award for the Elevation of Music in Society, and Carnegie Foundation’s Academic Leadership Award. In 2011, he was inducted into the American Philosophical Society.

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