The Orchestra Now

Stravinsky, Cage, and C.P.E. Bach

February 7–8, 2026

Add to Calendar2026-02-07 7:00 pm2026-02-07 9:00 pmESTStravinsky, Cage, and C.P.E. Bach

Photo by Anton Doppelbauer

Fisher Center, Sosnoff Theater,
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Leon Botstein conductor

Ulysses Kay
Chariots: Orchestral Rhapsody

Cage (orch. Lou Harrison)
Suite for Toy Piano

Stravinsky
Symphony in C

C. P. E. Bach
Symphony D Major, H. 663

Albert Roussel
Symphony No. 3

Leon Botstein leads TŌN in a concert of music spanning over 200 years, with four 20th-century works presented alongside a brief symphony from 1776. The program begins with Ulysses Kay’s Chariots, based on the spiritual “Swing Low, Sweet Chariot”, and Lou Harrison’s whimsical orchestration of John Cage’s Suite for Toy Piano. Then we explore three symphonies of different styles: Stravinsky’s expressive Symphony in C; C. P. E. Bach’s adventurous Symphony in D Major, and one of Albert Roussel’s most beloved works, the vivacious Third Symphony, written for the 50th anniversary of the Boston Symphony Orchestra in 1930.

Leon Botstein

Photo by Matt Dine

Leon Botstein is founder and music director of The Orchestra Now (TŌN), music director and principal conductor of the American Symphony Orchestra (ASO), artistic codirector of Bard SummerScape and the Bard Music Festival, and conductor laureate and principal guest conductor of the Jerusalem Symphony Orchestra (JSO), where he served as music director from 2003 to 2011. He has been guest conductor with the Los Angeles Philharmonic, Royal Philharmonic Orchestra, Aspen Music Festival, Buffalo Philharmonic Orchestra, Mariinsky Theatre, Russian National Orchestra in Moscow, Hessisches Staatstheater Wiesbaden, Taipei Symphony, Simón Bolivar Symphony Orchestra, and Sinfónica Juvenil de Caracas in Venezuela, among others. In May 2025, he led two concerts with TŌN in Koblenz and Nuremberg, Germany, marking 80 years since the surrender of Nazi Germany. With ASO, he has revived numerous neglected operas and rare repertoire, such as Schoenberg’s massive Gurre-Lieder, Richard Strauss’s first opera, Guntram, and the U.S. premiere of Sergei Taneyev’s final work, At the Reading of a Psalm.

Albums include The Lost Generation and Exodus, two 2024 releases with TŌN; Hindemith’s The Long Christmas Dinner with the ASO; a Grammy-nominated recording of Popov’s First Symphony with the London Symphony Orchestra; and other recordings with TŌN, ASO, the London Philharmonic, NDR Orchestra Hamburg, and JSO, among others. Fall 2025 releases include Premieres with violinist Gil Shaham and Transcription as Translation, both with TŌN. He is editor of The Musical Quarterly and author of numerous articles and books, including The Compleat Brahms (Norton), Jefferson’s Children (Doubleday), Judentum und Modernität (Böhlau), and Von Beethoven zu Berg (Zsolnay). Honors include Harvard University’s prestigious Centennial Award; the American Academy of Arts and Letters award; and Cross of Honor, First Class, from the government of Austria, for his contributions to music. Other distinctions include the Bruckner Society’s Julio Kilenyi Medal of Honor for his interpretations of that composer’s music, the Leonard Bernstein Award for the Elevation of Music in Society, and Carnegie Foundation’s Academic Leadership Award. In 2011, he was inducted into the American Philosophical Society.

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