|Jeanne Donovan Fisher is chair of the Advisory Board of The Richard B. Fisher Center for the Performing Arts at Bard College. As a producer, she heads True Love Productions, bringing a background in business to her passion for theater and film. She spent the early part of her career at Morgan Stanley, where she was a vice president and director of worldwide corporate communications. She then became a partner in the consulting firm Citigate S. V., specializing in strategic communications, marketing, and media relations. Given this experience, she can say with conviction that producing is much more fun. Fisher also serves on the Board of Trustees of the Sundance Institute, BAM, and the Tate Americas Foundation. trueloveproductions.com|
|Leon Botstein recently celebrated his 20th year as music director and principal conductor of the American Symphony Orchestra. He is also artistic codirector of the SummerScape and Bard Music festivals, which take place at Bard College’s Richard B. Fisher Center for the Performing Arts, designed by Frank Gehry. Botstein is also conductor laureate of the Jerusalem Symphony Orchestra, where he served as music director from 2003 to 2011. He has been president of Bard College since 1975. |
Botstein has an active schedule as a guest conductor all over the world, and can be heard on many recordings with the London Symphony (their recording of Popov’s First Symphony was nominated for a Grammy), the London Philharmonic, NDR-Hamburg, and the Jerusalem Symphony Orchestra. Many of his live performances with the American Symphony Orchestra are available for download online.
Highly regarded as a music historian, Leon Botstein’s most recent book is Von Beethoven zu Berg: Das Gedächtnis der Moderne (2013). He is the editor of The Musical Quarterly and the author of numerous articles and books. He is currently working on a book based on his talks given at the prestigious Tanner Lectures in Berkeley, California. For his contributions to music he has received the award of the American Academy of Arts and Letters and Harvard University’s Centennial Award, as well as the Cross of Honor, First Class, from the government of Austria. In 2009 he received Carnegie Foundation’s Academic Leadership Award, and in 2011 was inducted into the American Philosophical Society. He is also the 2012 recipient of the Leonard Bernstein Award for the Elevation of Music in Society. In 2013, following in the footsteps of Sir John Barbirolli, Otto Klemperer, and others, Botstein received the Bruckner Society’s Julio Kilenyi Medal of Honor for his interpretations of that composer’s music.
|Debra Pemstein is vice president for development and alumni/ae affairs at Bard College. During her tenure, Bard has been able to expand its programs through major capital campaigns that have resulted in the building of new centers for the performing arts (the Richard B. Fisher Center for the Performing Arts, designed by Frank Gehry) and sciences (The Gabrielle H. Reem and Herbert J. Kayden Center for Science and Computation, designed by Rafael Viñoly Architects). |
Pemstein also supervises development activities for all of Bard’s institutes and programs, including the Fisher Center, Bard Music Festival, Bard High School Early College Program, and Center for Curatorial Studies–Hessel Museum, to name but a few.
Pemstein formerly served as director of major gifts and planned giving for New York City Ballet, director of development for Paul Taylor Dance Company, and associate director of development for the New York Philharmonic. In addition she is a college lecturer and has presented papers on fund-raising at national professional conferences. She has served on many boards and advisory committees, including Poughkeepsie Day School; Temple Emanuel, Kingston, New York; and Stephen Wise Free Synagogue, New York City. She is a founding member of Modern Dance Development Directors. She attended the London School of Economics, received her B.B.A. from George Washington University in Washington, D.C., and is a certified fund-raising executive.
|Bob Bursey is senior producer of The Richard B. Fisher Center for the Performing Arts at Bard College. Previously, he was the producing director of the Bill T. Jones/Arnie Zane Dance Company, which he joined in 2003. While with Bill T. Jones, he worked on the merger with Dance Theater Workshop to form New York Live Arts in 2011, and directed New York Live Arts’ major new commissioning and residency program. Prior to his work with Bill T. Jones, he toured with Tanztheater Wuppertal Pina Bausch and managed productions for the American Dance Festival. On tour, he has managed hundreds of live events in more than three dozen countries. In addition to multidisciplinary stage works, he has overseen films, television specials, site-specific performances, musical recordings, book publications, and gallery installations for performing artists. Exchange between working artists and academic institutions is a focus of Bursey’s work; he has developed artist partnerships, residencies, and teaching programs on campuses across the United States. He has been a guest lecturer at University of Virginia and an artist-in-residence at Hollins University.|
|Gideon Lester is director of theater programs at Bard College, where he chairs the Theater and Performance Program, curates theater and dance programs for the Fisher Center, and directs Live Arts Bard, the College’s new residency and commissioning program. He is cocurator of Crossing the Line, a cross-disciplinary arts festival in New York City. From 1997 to 2009 he worked at the American Repertory Theater in Cambridge, Massachusetts, as acting artistic director, associate artistic director, and resident dramaturg. He also chaired Harvard University’s MFA program in dramaturgy at the A.R.T./Moscow Art Theater Institute for Advanced Theatre Training, and taught at Harvard College. From 2009 to 2011 he taught at Columbia University’s School of the Arts, where he founded and directed the Arts Collaboration Lab, in association with Performance Space 122. Lester studied English at Oxford University and dramaturgy at Harvard, where he was a Fulbright Scholar and Frank Knox Fellow. His translations for the stage include plays by Marivaux, Büchner, and Brecht, and his stage adaptations include Kafka’s Amerika and Wim Wenders’s Wings of Desire.|