Bard Music Festival
Program Four • Chansons, romances, et mélodies: Vocal Music from Cosmopolitan Paris
August 11
Musicologist Byron Adams explores the rich variety of songs heard in the Parisian salon. Featured composers range from Giacomo Rossini, the leading light of Berlioz’s youth, to Pyotr Ilyich Tchaikovsky, whom he met late in life in Russia; younger scions Georges Bizet and Gabriel Fauré; and Pauline Viardot, the mezzo-soprano who created the female lead in Meyerbeer’s Le prophète (SummerScape 2024’s mainstage opera) and whom Berlioz originally envisioned as Les Troyens’ Dido. He himself is represented by three songs from Irlande, a collection reflecting his feel for the cadences of Gaelic‐inspired verse.
Program
11 am • Performance with commentary by Byron Adams; with Jana McIntyre, soprano; Rebecca Ringle Kamarei, mezzo-soprano; Maximillian Jansen VAP ’21, tenor; Tyler Duncan, baritone; Kayo Iwama and Erika Switzer, piano; and Viktor Tóth ’16 TŌN ’21, clarinet
Giacomo Meyerbeer (1791–1864)
Hirtenlied (1842) (Rellstab)
ANCIEN RÉGIME
Ernest Reyer (1823–1909)
Pourquoi ne m’aimez-vous?: Vielle chanson (1868) (Regnier)
Camille Saint-Saëns (1835–1921)
Marquise, vous souvenez-vous?: Menuet (1869) (Coppée)
CHANSONS D’ENFANCE
César Franck (1822–90)
L’ange et l’enfant (1846) (Reboul)
Pauline Viardot (1821–1910)
L’enfant et la mère (1841) (anon.)
VICTOR HUGO
Georges Bizet (1838–75)
Adieux de l’hôtesse arabe (1866) (Hugo)
Gabriel Fauré (1845–1924)
Tristesse d’Olympio (1864) (Hugo)
HEURES MYSTIQUES
Charles Gounod (1818–93)
La salutation angélique (1874)
Ave Maria (after Bach) (1859)
CRÉPUSCULE CELTIQUE
Hector Berlioz (1803–69)
From Irlande, Op. 2 (1829) (Moore)
Adieu Bessy
L’origine de la harpe
Hélène
ROSSINI
Gioachino Rossini (1792–1868)
From Soirées musicales (1830–35)
La pastorella dell’Alpi (Tirolese) (Pepoli)
La danza (Tarantella) (Pepoli)
PAYS EXOTIQUES
Pauline Viardot
From From Six mazurkas de Chopin, Book 1, No. 2 (1864) (Pomey)
Aime-moi
Pyotr Ilych Tchaikovsky (1840–93)
From Six French Songs, Op. 65 (1888)
Sérénade: Où vas-tu, souffle d’aurore (Turquety)
Pauline Viardot
From Five Spanish Songs (1846)
El fandango del diablo (Viardot)
Artists & Scholars
Jana McIntyre
Soprano
Rebecca Ringle Kamarei
Mezzo-soprano
Maximillian Jansen VAP ’21
Tenor
Tyler Duncan
Baritone
Kayo Iwama
Piano
Erika Switzer
Piano
Viktor Tóth ’16 TŌN ’21
Clarinet
Byron Adams
Musicologist, Performance with Commentary
Plan Your Visit
Eat & Stay
Nearby villages and towns in the Hudson Valley boast a large selection of restaurants, as well as a variety of hotels, motels, inns, and bed & breakfasts.
Eat & StayDirections
Bard College’s main campus is located in Annandale-on-Hudson (a hamlet of Red Hook), New York, on the east bank of the Hudson River, about 90 miles north of New York City and 220 miles southwest of Boston. The Taconic State Parkway and the New York State Thruway provide the most direct routes to our campus. Click the Google map below, or get directions by entering the following address into your GPS: 35 Henderson Circle Drive, Red Hook, NY 12571.
From the East
If you are traveling from east of the Hudson River in New York State, take the Taconic State Parkway to the Red Hook / Route 199 exit, drive west on Route 199 through the village of Red Hook to Route 9G, turn right onto Route 9G, drive north 1.7 miles, turn left onto Entrance Road, then turn left onto Campus Road.
From the West
If you are traveling from west of the Hudson River, take the New York State Thruway (I-87) to exit 19 (Kingston), take Route 209 (changes to Route 199 at the Hudson River) over the Kingston-Rhinecliff Bridge to Route 9G, turn left onto Route 9G, drive north 3.3 miles, turn left onto Entrance Road, then turn left onto Campus Road.
About the Venue
Olin Hall
Accessible Seating
Wheelchair-accessible seating is available in all seating areas for patrons in wheelchairs and their companions.
Wheelchair-Accessible Restrooms
Restrooms at all locations are wheelchair accessible. Single-use restrooms are available at most locations.
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Bard College and the Fisher Center support guests of any gender identity/expression in using the restroom of their choice. Additionally, all-gender restrooms are available at all venues.
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